It's been a cool 10 months since I last did a Criterion Catch-up. It's not that I haven't been watching my collection, it's just that...well, I was doing other things, like May's Vinyl Challenge over at Consuming the Tangible and of course the recent Hooptober marathon right here at Cinema Dual. And in that time... Continue Reading →
In the fall of 2019 and inspired by Chris, I decided I was finally going to do Hooptober. I picked my movies out. I was set. I was gonna start on 10/1 and write full essays! Then I didn’t finish. Word to the wise: watching a movie a day and writing a huge piece on... Continue Reading →
Wait...it's September 15th already?! Time files when the world's a dumpster fire and you’re wearing 10 masks and drinking Lysol to prevent the mutant hybrid of COVID, Monkey Pox and…Christ on Toast it pains me to even write it...POLIO. How to suppress the horror of real life? With cinematic horror, of course! That’s why we’re... Continue Reading →
A few disclaimers before I get into this. First, I am 8 days older than Steven Spielberg’s E.T. The Extra Terrestrial. Second, my first memories of seeing a movie are my dad taking me to see this probably during the 85 rerelease. Third, I am of the generation whose parents, when they needed 2 hours to themselves, would plop us in front of the tv and put this in the VCR. This is a a film that I have very vivid memories of seeing. This is a film whose scenes and beats that I know intimately. It’s a film that I feel a connection to on some level.
Watching Leo McCarey's The Awful Truth I was brought back to those weekends with my dad. He passed down to me my love for Cary Grant, watching films like Father Goose and Mr. Lucky and North By Northwest. We had nothing else in common, so I clung to those stars and movies and absorbed them... Continue Reading →
When I was deciding what film was going to kick this off, I wanted something that was familiar. Sure, I could have gone with the challenge of something like A Brighter Summer Day but in the week of recharging the batteries in the midst of work and health/life stress I needed some comfort, something that... Continue Reading →
If you're a cinephile (or movie addict - use whatever nomenclature you feel comfortable with; we're not snobs here) tell me if this rings a bell: A new release gets announced, you rush to pick it up...maybe while you're there you have some extra cash to spend so you get that reissues you've been meaning... Continue Reading →
In the intro to Part 12 of this series, having just seen the trailer for The Matrix: Resurrections, I asked what it meant for Lana Wachowski to return to that series. The answer, explicitly stated in the film, was that Warner Bros was going to make another Matrix with or without her, and under those conditions, Wachowski signed on. I’m almost completely sure that no one was threatening Agnès Varda to make her own biopic without her involvement, but the first thing she clearly states at the beginning of The Beaches of Agnès (2008), is that she is playing a role of a person telling her own life story, but that it’s other people that interest her. The challenge of the project becomes how to reconcile these competing impulses.
On the success of Agnès Varda’s intended final film The Beaches of Agnès, she was invited to attend a variety of film festivals to showcase her latest work. Armed with her trusty digital camera and the opportunity to travel the world, Varda set out to meet and connect with artists and to showcase their exhibitions. Over the course of the following three years, Varda assembled and edited her footage into a 5-part miniseries called Agnès de ci de là Varda (2011).
le this series has focused on the films of Agnès Varda, it's reductive to describe her only as a filmmaker. Her career in photography predates her filmmaking career, and helps to inform her earliest film work, from the shots of the couple in La Pointe Courte to the contrasting images of a pregnant woman next to a pumpkin being hacked open in L’opéra-Mouffe.
Cinema Dual 