At the time of writing, the first trailer for The Matrix Resurrections has just been released today. I don’t care speculate on exact plot details or on the film’s ultimate quality, but I am interested in the ways the filmmakers reflect and reinterpret the franchise with almost 18 years of hindsight and growth. It seems to have at least some bearing on the plot, as Neo and Trinity struggle to remember their past together, but also may have some bearing on the film as a whole. The trailer certainly carries enough visual signifiers of the past series, but stylistically it evokes less of the late 90’s industrial nu-metal vibes of the original and instead feels closer to the more recent and earnest output from the Wachowskis like Cloud Atlas or Sense 8. What does it mean for Lana Wachowski to go back to this particular subject matter now?
The problem of evil is typically relegated to cosmic and philosophical concerns, and the centuries of continually progressing debates do not speak well for any particular theodicies that have been presented so far. But that frustration doesn't necessarily subside on the other side of religious belief. A worldview (religious or otherwise) that provides meaning can be very appealing. Consequently, events that don't fit within the structure of that view can feel threatening to one's sense of stability, and should be ignored if possible.
On this episode of Cinema Dual, Jon and Chris talk about a selection of the movies of French New Wave filmmaker Agnès Varda. Movies Discussed: Vagabond, Faces Places Recommendations : Mur Murs, Black Panthers (short film) (Jon), The Umbrellas of Cherbourg, The World of Jacques Demy (Chris) Follow us on Twitter: @jonmichaelnoise @cmvoss042 https://mcdn.podbean.com/mf/web/qsey4h/Cinema_Dual_-Episode_7-_Varda.mp3