At the time of writing, the first trailer for The Matrix Resurrections has just been released today. I don’t care speculate on exact plot details or on the film’s ultimate quality, but I am interested in the ways the filmmakers reflect and reinterpret the franchise with almost 18 years of hindsight and growth. It seems to have at least some bearing on the plot, as Neo and Trinity struggle to remember their past together, but also may have some bearing on the film as a whole. The trailer certainly carries enough visual signifiers of the past series, but stylistically it evokes less of the late 90’s industrial nu-metal vibes of the original and instead feels closer to the more recent and earnest output from the Wachowskis like Cloud Atlas or Sense 8. What does it mean for Lana Wachowski to go back to this particular subject matter now?
If I had to boil down my renewed interest in movies (going on 10 years at this point) to one thing, it would be the realization that the history of movies is broader than I ever imagined. There are so many movements and trends filtered back and forth across cultures and time periods it’s unlikely I could ever reach the end of movies. I think the best moments on Cinema Dual tend to be when Chris and I find a film that make one of both of us just a little too giddy to coherently talk about it. And while the recent(ish) trend of trying to assert the supreme importance of and unhealthy attachment to a particular work of art has exposed the bankruptcy of fandom in recent years, there’s nothing wrong with celebrating the joy in something you like.