I suspect many of us knew Metropolis before we ever had a chance to actually see it. My first exposure to it as a complete (or as close as it was considered to be then) film came in the early 90s with the color tinted Giorgio Moroder version, edited (severely) and scored by the electronic music pioneer. But the images - those stark, expressionistic cityscapes rising to the heavens, the iconic "Other" Maria... those images echo and reverberate within my movie memory far longer than I have any right to claim to them.