Being Film #11 for Hooptober 2025 Straddling the line between folktale and vibrant Hammer-style gothic horror, I was shocked and surprised at how much I enjoyed the lean, vibrant Viy. My knowledge of Russian cinema, let alone Russian horror, is pretty limited, but I shouldn't be surprised considering the rich history Russia has from a... Continue Reading →
Being Film #10 for Hooptober 2025 I typically don't hold out a lot of hope for sequels, especially 80s sequels to 80s movies that were themselves comedic reboots of older films. But somehow despite the loss of Dan O'Bannon Return Of The Living Dead Part II not only works as a worthy successor, it leans... Continue Reading →
Being Film #8 for Hooptober 2025 23 years later from 28 Days Later we get 28 Years Later, and while I loved writing that sentence, I didn't love it as much as I loved the film itself. Danny Boyle and Alex Garland return to their 2002 "fast zombie / don't call it a zombie film"... Continue Reading →
Being Film #7 for Hooptober 2025 Well, it had to happen sooner or later. Not so much a dud as a "well, I was definitely expecting more from this" kind of letdown. Maybe I finally hit the age where I just can't relate to the kids of today, because despite coming from a guy who's... Continue Reading →
Being Film #6 for Hooptober 2025 We continue a run of beautifully shot films that pack in a load of subtext under a veneer of horror. Although in the case of The Untamed, that horror comes from the action of its primary characters as they wrestle with their sexual appetites and the violence the repression... Continue Reading →
Being Film #5 for Hooptober 2025 The full weight of history lies just under the surface of Demon, the stunning final film from Marcin Wrona, who tragically took his own life during the film's run at the festival circuit. With no jump scares and little in the way of violence or gore, the film manages... Continue Reading →
Being Film #4 for Hooptober 2025 Films like The Possessed, or La Donna del Lago in its original Italian, are the reason I constantly try to seek out new films whenever Hooptober comes around. A proto-giallo that also functions as an Italian noir evoking the dream-like narratives David Lynch would forge just over a decade... Continue Reading →
Being Film #3 for Hooptober 2025 Anthology films are hard to nail down. You not only have to have a strong selection of stories that work, but the framing device often can make or break the film. So there was already a stacked deck against Ealing Studios, the English film studio known more for comedies... Continue Reading →
Being Film #2 for Hooptober 2025 I had the bar set low for The Black Phone, the latest horror collaboration between the writing/directing team of Scott Derrickson and C. Robert Cargill. On one hand, I wasn't the biggest fan of either the Sinister films or Deliver Us From Evil, save for the gnarly exorcism. On... Continue Reading →
Being Film #1 for Hooptober 2025 There's a lot that goes into choosing the first movie in this marathon: do you get the requirements out of the way first? Look at runtimes? Or is it something more ephemeral? I wanted to start with the simple things that made me a fan of the genre as... Continue Reading →
Cinema Dual 