It's safe to say that without Akira Kurosawa there would be no Cinema Dual. Of course, there also wouldn't be Seven Samurai, but then again, without Seven Samurai there wouldn't be Rebel Moon Part 1: Child of Fire or, at least, the terrible schlocky version I sat through the other night. So perhaps a bit of a... Continue Reading →
Lost in the Mail: Chris’s 2022 Sight and Sound Ballot
What's in a list, anyway? It's something I've struggled with throughout my time as an online writer. But when you're considering a set list of, as the BFI so brazenly puts it, the greatest films of all time, it becomes apparent that a list - any list - must encompass both a sense of inflexibility... Continue Reading →
