Being Film #30 for Hooptober 2025 Here's the deal. I just realized I got all my requirements in for this year's Hooptober by review #29. So rather than watch films I thought I needed, I picked two films I needed. As in, "my stress level is so high I just need some FUN" needed. And... Continue Reading →
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: Toshiro Mifune swaggers and snarls to brilliant comic... Continue Reading →
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: The incomparable Toshiro Mifune stars in Akira Kurosawa’s... Continue Reading →
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: The fourth film from Akira Kurosawa is based... Continue Reading →
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: Kurosawa’s first film was such a success that... Continue Reading →
Take martial arts action, sleazy exploitation and supernatural horror, sprinkle it with a small dose of sex comedy. Give it an almost non-existent budget, populate it with a bunch of terrible but overjoyed actors and combine it with a concept straight out of the head of a nine year old weaned on cross-pollinated action figure mayhem and it STILL doesn’t come close to what ends on the screen, which is a ridiculously enjoyable B movie that gives 100%.
The movie opens. A man stands in the foreground, his back to the camera. We don't know him yet, but the camera tells us everything. The mountains in the background are positively diminutive, telling us this man is larger than life, and over the course of the next two hours he's going to prove that perception correct...
Cinema Dual 