The scariest thing in William Grefé’s Death Curse of Tartu is anytime a person gets in the water. Shot on location in Florida swamp land, there’s a palpable sense of danger when cast members get in the water. Who knows what they’ll encounter in there? Unfortunately this is about the only danger in the film.... Continue Reading →
Being Film #22 for Hooptober 2022 It would be a huge mistake to look at the filmography of Noriaki Yuasa and dismiss The Snake Girl and the Silver-Haired Witch. Because yes, while his entire filmography as a director is almost exclusively limited to Gamera films I would argue that 1) the Gamera films are pretty... Continue Reading →
My first exposure to the world of Nigel Kneale’s science fiction hero Bernard Quatermass came via John Carpenter. Carpenter, a huge fan of Neale’s work, credited himself under the pseudonym Martin Quatermass for Prince of Darkness. Kneale supposedly hated the tribute for various reasons but it’s an appropriate nod. Carpenter’s remake of The Thing owes... Continue Reading →
Being Film #8 for Hooptober 2022 A quick rundown of The Two Faces of Dr. Jekyll, Hammer's take on the Robert Louis Stevenson tale. As enjoyable as it may be, there are distracting elements that kept me from the velvety praise I typically heap on a Hammer production. One, it features Oliver Reed in a... Continue Reading →
Being Film #6 for Hooptober 2022 In my time doing this marathon over the course of nine years I have learned a lot about how horror is constructed: what works, what doesn't, how fears transcend (or not) across cultures. But I've also learned more that a few things about myself as well. And one of... Continue Reading →
Being Bonus Film #2 for Hooptober 2021 The second bonus film for Hooptober 8.0 is an early Amicus picture called The Skull. Amicus is kind of the lower rent little brother of Hammer, which isn't to say they were bad: their speciality was really more the anthology film. The Skull feels a lot like them... Continue Reading →
Being Film #28 for Hooptober 2021 A real quick summary/review of the classic (I guess?) Indonesian horror film Queen of Black Magic goes something like this: Evil Dead and Hausu vibes mark this horror revenge flick as a young woman seeks revenge after being left for dead at the hands of her ex-lover and the... Continue Reading →
Being Film #27 for Hooptober 2021 Featuring Christopher Lee in a rare (if slightly excitable) heroic role, The Devil Rides Out is a great slice of near-cosmic horror. It may get more than a little heavy-handed with its pro-Christian themes trouncing the evil satanic cult (a touchstone of many of director terence Fisher's films) but... Continue Reading →
Being Film #26 for Hooptober 2021 This week I'm diving into some older fare, starting with a 1-2 punch of Hammer Horror. Though there is little in the way of horror and the mystery of Captain Clegg, or Night Creatures as it was released in the US is cleared up for audiences pretty quickly, I... Continue Reading →
My Jean-Luc Godard education continues with Masculin, Féminin, his 1966 portrait of the youth culture in Paris in the months leading up to the 1965 presidential election. It's a flurry of different visual and aural ideas cut together and framed in a off-kilter documentary style whose purpose isn't anything like a straight narrative, but rather an empathetic if distanced view of the lives of the young men and women Godard found himself surrounded by in Paris.
Cinema Dual 