If you're a cinephile (or movie addict - use whatever nomenclature you feel comfortable with; we're not snobs here) tell me if this rings a bell: A new release gets announced, you rush to pick it up...maybe while you're there you have some extra cash to spend so you get that reissues you've been meaning... Continue Reading →
In the intro to Part 12 of this series, having just seen the trailer for The Matrix: Resurrections, I asked what it meant for Lana Wachowski to return to that series. The answer, explicitly stated in the film, was that Warner Bros was going to make another Matrix with or without her, and under those conditions, Wachowski signed on. I’m almost completely sure that no one was threatening Agnès Varda to make her own biopic without her involvement, but the first thing she clearly states at the beginning of The Beaches of Agnès (2008), is that she is playing a role of a person telling her own life story, but that it’s other people that interest her. The challenge of the project becomes how to reconcile these competing impulses.
On the success of Agnès Varda’s intended final film The Beaches of Agnès, she was invited to attend a variety of film festivals to showcase her latest work. Armed with her trusty digital camera and the opportunity to travel the world, Varda set out to meet and connect with artists and to showcase their exhibitions. Over the course of the following three years, Varda assembled and edited her footage into a 5-part miniseries called Agnès de ci de là Varda (2011).
On this episode of Cinema Dual, Jon and Chris tackle their Criterion Blu-Ray pile of shame and whittle down their to-do list.
On this episode of Cinema Dual, Jon and Chris chill out while talking about the films of Jim Jarmusch.
On this episode of Cinema Dual, Jon and Chris celebrate the season with more horror movies.
Being Bonus Film #3 for Hooptober 2021 For the final review of Hooptober 8.0 we have a wicked little piece courtesy of Cartoon Network. On the night of Halloween 1999 the channel ran a Scooby Doo marathon, and interspersed between the episodes was The Scooby-Doo Project, a parody of The Blair Witch Project that takes... Continue Reading →
Being Bonus Film #2 for Hooptober 2021 The second bonus film for Hooptober 8.0 is an early Amicus picture called The Skull. Amicus is kind of the lower rent little brother of Hammer, which isn't to say they were bad: their speciality was really more the anthology film. The Skull feels a lot like them... Continue Reading →
Being Bonus Film #1 for Hooptober 2021 We've hit the bonus rounds for Hooptober 2021! These will be a little more brief - just general impression of the three "extra credit" films assigned for those who can get through the marathon. First up is J.D.'s Revenge, a blaxploitation horror film that is better than you... Continue Reading →
Being Film #31 for Hooptober 2021 The anthology is a tried and true format for horror, allowing filmmakers to explore a theme or feeling without the burden of having to carry it out to feature length. The short allows for a broader range of styles, and in The Field Guide to Evil you can see... Continue Reading →
Cinema Dual 