Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: The fourth film from Akira Kurosawa is based... Continue Reading →
On this episode of Cinema Dual, Jon and Chris revel in the cinematic excesses of Ken Russell.
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: Kurosawa’s first film was such a success that... Continue Reading →
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: This portrait of female volunteer workers at an... Continue Reading →
On this episode of Cinema Dual, Jon and Chris look at the comedies of Albert Brooks.
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: Kurosawa’s effortless debut is based on a novel... Continue Reading →
It's safe to say that without Akira Kurosawa there would be no Cinema Dual. Of course, there also wouldn't be Seven Samurai, but then again, without Seven Samurai there wouldn't be Rebel Moon Part 1: Child of Fire or, at least, the terrible schlocky version I sat through the other night. So perhaps a bit of a... Continue Reading →
On this episode of Cinema Dual, Jon and Chris bring some levity to the holidays with the films of Jacques Tati.
On this episode of Cinema Dual, Jon and Chris celebrate Jon's birthday.
David Gordon Green’s Halloween trilogy will probably continue to divide fans of that franchise for years to come. It’s three films that took at big swing. For all their faults though, those three films at least attempted something. They’re three slasher films that at least felt like pure slasher films. No overt meta humor gets... Continue Reading →
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