Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: This portrait of female volunteer workers at an... Continue Reading →
Something Like a Filmography takes a (brief) look at the filmography of Akira Kurosawa. Twice a month, Chris and Jon share their impressions of each film, both on its own terms and in terms of Kurosawa's legacy and its intersection in the Cinema Dual hosts' lives. FROM THE BOX: Kurosawa’s effortless debut is based on a novel... Continue Reading →
It's safe to say that without Akira Kurosawa there would be no Cinema Dual. Of course, there also wouldn't be Seven Samurai, but then again, without Seven Samurai there wouldn't be Rebel Moon Part 1: Child of Fire or, at least, the terrible schlocky version I sat through the other night. So perhaps a bit of a... Continue Reading →
Welcome to another year of Hooptober. Once again the criteria has been announced and the films assembled. Last year, I started my first full Hooptober wondering if I was going to complete 31 films. I ended it having seen 50 films from September 15th to October 31st. I started with a double feature of Pearl... Continue Reading →
I cannot believe a year has passed, and here we are again. It's the 10th year of the Hooptober Horror Movie Marathon, and for the third time we'll be covering it over here on Cinema Dual. That means for the next 45 days myself and Mr. Dan Morris will be exploding your eyeballs with copious... Continue Reading →
When it comes to compiling "Best _ of All Time" lists, I generally find the process more interesting than the final lists themselves. For me personally, I obsess for hours over the internal debates and criteria which only make sense to me. Once those decisions are made, all that is left to do is record... Continue Reading →
Coming up with a Sight and Sound ballot, even one that didn’t get submitted to the actual magazine, presents unique challenges. The only criteria put forth by the venerable magazine is to vote for the greatest films of all time, leaving voters free to interpret that. It opens things up to a wide set of... Continue Reading →
What's in a list, anyway? It's something I've struggled with throughout my time as an online writer. But when you're considering a set list of, as the BFI so brazenly puts it, the greatest films of all time, it becomes apparent that a list - any list - must encompass both a sense of inflexibility... Continue Reading →
Imagine you are a filmmaker coming off the most well regarded film of your career. It’s the film that maybe you don’t realize now but will become what you’re best known. Regardless, the question that will be asked of you is “What’s next?” There’s two paths you can take. Do what’s expected of you, or... Continue Reading →
Tanks lie unattended near the foot of a mountain or a hill, with possibly empty oil drums next to them. Nameless people sit crowded in a train going through a desert. Women dance in a club hoping to attract the attention of French Foreign Legion soldiers. Those same soldiers, now caked in sand and dust,... Continue Reading →
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