For all of the struggles that Agnès Varda would experience with the Hollywood establishment in the context of her career as a filmmaker, she never let those experiences go to waste. Indeed, the majority of her “California” work was produced over a couple of trips, one in 1968 and another in 1979, and was borne out of professional and even personal challenges. The first trip in 1968 saw Varda trying to get a film project off the ground while her husband Jacques Demy similarly was attempting his own Hollywood breakthrough. The second trip in 1979 saw Varda set out by herself (and her son) on a film project that would almost immediately collapse.
If Agnès Varda could be described as an observant person, that focus of perception would strike especially true for the neighborhood where she lived for most of her adult life: the Rue Daguerre in Paris. The early 70s were a relatively fallow period for Varda artistically...Fortunately a German production company reached out with an offer to let her make any kind of movie she wanted. Varda decided to make a movie within that community circle, with her focus on the shopkeepers of Rue Daguerre.