Right now, a modern storytelling tool is tools of the past. What might have been an older technique, or a formerly technical limitation is now an aesthetic. Musical genres like chiptune which utilize 8-bit video game sound processing or video games that seek to emulate the heyday of Nintendo have carved a niche for themselves.... Continue Reading →
Hooptober 2022 #44: Prey for the Devil (2022)
In my review for Saint Maud, I noted that most religious horror isn't actually about religion it portrays. Most religious horror films tend to be about fights with monsters rather than faith. Instead of a test of faith, these films end being battles between good priests and evil demons. Monsters with rules that can be... Continue Reading →
Hooptober 2022 Universal Monster Drive In Extravaganza (#39-43)
Ladies and gentlemen, to close out Hooptober (well, I still have a few movies to write about), my wife and I participated in a movie marathon at our local drive-in. Every year, Silver Moon Drive-In in Lakeland, Florida uses its two screens to host Halloween movie marathons. One screen usually shows older Universal monster movies... Continue Reading →
Hooptober 2022 #38: Nosferatu (1922)
One of the questions all horror fans and studios ask is “What’s the scariest movie ever made?” A question like that kind of serves no purpose. Fear is such a subjective thing. What terrifies or chills one person might be blasé to another. Rarely do films touted as “the scariest film in years” last past... Continue Reading →
Hooptober 2022 #37: Faust (1926)
Midway through watching F.W. Murnau’s silent classic Faust, I asked myself “Is this really a horror movie?” It feels like a stretch to do so. The film is undoubtedly a masterpiece of German Expressionism. Murnau, clearly in command of his craft, fills every frame of the film with astonishing images. There is horror and horror... Continue Reading →
Hooptober 2022 #36: Firestarter (2022)
I am not averse to remakes. I’m also not averse to making new adaptations of books. I think it’s important to revisit texts and re-examine them. “New” is key word here though. Something has to be done that brings something to the table. For better or for worse, we live in a new cycle of... Continue Reading →
Hooptober 2022 #35: Bram Stoker’s Dracula (1992)
Over the course of Hooptober, I’ve watched several Dracula and Dracula adjacent films. I can’t explain why I find myself drawn to interpretations of Bram Stoker’s novel. I say interpretation because very few films have attempted to adapt the novel. F.W. Murnau needed to change things for Nosferatu so it didn’t incur the Stoker estate’s... Continue Reading →
Hooptober 2022 #34: It’s Alive (1974)
Calling producer/writer/director Larry Cohen an original seems like selling the man short. Larry Cohen is the kind of filmmaker that you introduce to friends. Cohen’s body of work is just so singular. Few directors understood the power of genre for social commentary like Cohen did. Even fewer embraced the absurd in genre filmmaking like Larry... Continue Reading →
Hooptober 2022 #33: The Fly (1958)
David Cronenberg’s 1986 The Fly is a cornerstone horror film for me. It’s the earliest horror movie I can remember watching and I’ve seen it many times since . The Fly moves me as much as it repulses me. A film about science gone amuck and an incredibly tragic romance. Sometimes though if you know... Continue Reading →
Hooptober 2022 #32: The Body Snatcher (1945)
There’s two kinds of old friends. The first are people you want around you. These people you can talk to at any point or pick up conversations you had years earlier. You know they’ll support you through anything. You want them around you. Then there’s the old friend you don’t want around. This person knew... Continue Reading →